Thu 30 Sept / Opera / +intro

Faust

Cert. tbc

Special Screenings

215 mins (including two intervals)

Opera Charles Gounod | Musical direction Lorenzo Viotti | Stage direction Tobias Kratzer, with Paris Opera Orchestra and Chorus | dir. Julien Condemine

I want a treasure, which contains them all! I want youth!

Frustrated by the futile quest for knowledge, the erudite old Faust sells his soul to the devil in exchange for eternal youth and the beautiful Marguerite… Reworking the legend which Goethe popularised, Gounod focuses on the love story and elevates the significance of Marguerite’s fall and ultimate salvation. His decision to lighten the philosophical scope of the narrative allowed him to balance scenes where the supernatural called for something visually spectacular with a parallel microcosm governed by inner actions and feelings. Gounod’s score is a tour de force of melodic invention whose vocal composition reveals the composer’s skill at conveying sincere and immediate emotion. For his Paris Opera debut, German director Tobias Kratzer reflects on contemporary society’s obsession for eternal youth. With its sophisticated scenography, his production oscillates between hyperrealism and magic, the world of today and the eerie atmosphere of German romanticism.

Distribution

Faust / Benjamin Bernheim
Méphistophélès / Christian Van Horn
Marguerite / Ermonela Jaho
Valentin / Florian Sempey
Siébel / Michèle Losier
Wagner / Christian Helmer
Dame Marthe / Sylvie Brunet‑Grupposo
Old Faust / Jean-Yves Chilot

30 Sept

£15, conc. £13, students £5
 

The screening will be introduced by Béatrice de Larragoïti, Alice Usher and Charlotte Osborn, co-founders of Gothic Opera. They will speak about Gounod’s work, and present his second opera, La Nonne Sanglante (The Bloody Nun), in which Gounod first began to explore some of the themes and musical ideas which ultimately would come to fruition in Faust. La Nonne sanglante UK Premiere will be staged at Hoxton Hall (October 29th, 30th, 31st, November 2nd and 3rd).
 

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photo: © Monika Rittershaus

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