Myriam Mihindou’s first solo exhibition in the UK, presents an overview of the Paris-based, French Gabonese artist’s practice from 1999 to the present day, following her major survey Praesentia at the Palais de Tokyo, Paris and CRAC Occitanie, Sète (2024-2025). Rooted in the body, Mihindou’s work consists of material traces of what she has termed “ritualised creative processes”; concrete outputs or releases resulting from individual or collective performative actions.