Conceived curator Anne-Sophie Dinant, this film programme extends Armineh Negahdari’s exhibition The Living River at Cell Project Space into the cinematic realm, reflecting the poetic foundations of her drawing practice.
The screening will be introduced by Anne-Sophie Dinant, the curator of the film programme.
The first film in Abbas Kiarostami’s sublime, interlacing trilogy of films set in the northern Iranian village of Koker takes a premise of fable-like simplicity—a boy searches for the home of his classmate whose school notebook he has accidentally taken—and transforms it into a miraculous, child’s-eye adventure of the everyday. Shot through with all the wonder, beauty, tension, and mystery one day can contain. Where is the Friend’s House? established Kiarostami’s reputation as one of cinema’s most sensitive and profound humanists.
Experimental filmmaker Takahiko Iimura is filming almost entirely white scenes in which faintly seen trees are restlessly blown by wind through fog and then suddenly dissolve into a pure white, like in San-Sui-Ga white landscape drawings.
Conceived by the American photographer Stella F. Simon (1878-1973) and directed by the Hungarian-born journalist and writer Miklós Bándy (1904-1971), this short film inspired by dance is notable for its use of hands to evoke the characters. Set against abstract constructivist backdrops, the hands undulate, collide and sometimes overlap to better grasp each other. Without dialogue, this abstract ballet seems to lead to a reflection on bodies relating to each other.
An Iranian man and a French woman stroll around the city of Isfahan, Iran. Blending documentary and fiction. Varda presents a reflection on human relationships. Visual architectural details of Persian architecture become a vehicle for poetic expressions with humour and detachment.
Organised in partnership with Cell Project Space, with the generous support of Elephant Trust and Fluxus Art Projects
