Their mouths were full of bumblebees but it was me who was pollinated

Supported by Fluxus Art Projects.

Moroccan artist Soufiane Ababri’s new commission, explores questions of desire, queerness, and diaspora. For his first solo exhibition at a major UK institution, Soufiane Ababri transforms The Curve into a new site-specific work. Encompassing drawing, performance, and set design, his work challenges the dominance of Western narratives in queer history.